In this workshop, we were asked to produce an sample from the artists we were shown. I decide to do Ostinelli and Priest because I was influence by their use of subject and the textures they produce within their works, that could feel rough, bumpy in some area and uneven.
After that, I began to make the animal, chooses
- Collected enough white clay
- Shaped a medium lump into a ball
- Sat it on the table, using my fingers began to rub at the sides of the ball so I could make it form the right head shape of the bird
- When satisfied with the head shape I started to add the eyes in. By collecting a small clay which I formed into a ball, by rubbing it in circular movement with my palms.
- Then, drew lines going in different directions at the bottom of the tiny ball, and where the eyeball could go. Using slip, I corsed it and placed the eyeball where I wanted it
- The step at the top was repeated for the left eye, with a tiny, clay rolled in a line and placed around the eyes, as seen at the image at the bottom with the eye.
- After, using a wooden stick with pointed edge, began to draw the furs of the bird in different lines thickness, going every directions, creating movement.
- Put enough amount of the white into a bowl
- Add water, using your hand mix the white....and the water together in a circular moment
- Collect a filter that have the holes which are big enough for the liquid to get through. I used size of '60'. The bigger the filter gets the bigger the holes.
- Because the liquid was thick and it was going slower through the filter into a bowl, I move it around in circular movement with my fingers, which made the liquid to pass through the filter quicker.
- After painted it on my head, leaving the head unpainted as I want it to look black
- Repeated step 3 for the black, which I then lay over the white one
- Then added the....Over it.
In the other lesson we were asked to create a hirbid form sample in pairs.
Here are the samples.
Coloured with raku for the body
The head coloured in
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